of_rassilon | Member Posts

So I’m hideously behind on my writing target for the year - even by the standard I was working to last year of having written more at the end of each month than I had the previous year I’m behind - so when I saw that

nafs was hosting write every day this month I decided that was probably exactly what I needed. And apparently I was correct? Most days I’ve only written a couple of hundred words but it’s adding up and in some cases it turned out that actually that half written draft article/post I had lurking actually only needed 240 words in the right places to be finished. Very satisfying.

And uh, on Friday I opened my prompt file and stuck its associated playlists on and umm, wrote like 600 words of a fic. I’ve been picking away at it over the weekend and, while it’s not my best work I don’t think it’s terrible. (One of my re-watches the other month was Ocean’s Eight and apparently I had a bunch of Daphne Kluger feelings lurking. The original prompt for this fic was Casual by Chappel Roan but it kinda drifted.) So yeah, first finished fic in almost exactly two years, go me.

Someone You Couldn’t Lose (1341 words) by Glinda
Chapters: 1/1
Fandom: Ocean's 8 (2018)
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Relationships: Daphne Kluger/Lou Miller, Daphne Kluger/Debbie Ocean, Daphne Kluger/Lou Miller/Debbie Ocean
Characters: Daphne Kluger, Lou Miller (Ocean's), Debbie Ocean
Additional Tags: Friendship, Friends With Benefits, Planning Adventures, Less casual than anyone wants to admit, Thirty-something problems
Summary:

The thing no one tells you, is that it’s kinda hard to make new friends in your 30s. (Daphne Kluger would far rather plan a heist.)

Current Music: Chappel Roan - Casual

scripsi

This is a spoiler-free post.

The Hollow was first published in 1946, during Agatha Christie’s Golden Age. It’s not one of her more well-known mysteries, which I always thought was a bit strange, because it’s my favourite Christie. On the surface the plot is typical for her: A murder in a stately home where several guests have gathered for the weekend. Hercule Poirot investigates. Personally I think this book is rather invisible because it belies a very common statement about Christie, that she only writes cardboard stock characters with no depths and complexity. In The Hollow we have plenty of complex characters and I would say the main theme in the book is obsession. Obsessive love, obsession for science, the artist's obsession towards their work, and so on. If you wanted a stock Christie, you may be disappointed. There is also the fact that even if this is a Poirot novel, he doesn’t enter until halfway, and he is actually not the first to figure out who the murderer is. In fact I’ve always felt this book may have been better liked if there had been no Poirot in it at all. Checking the publishing order, this was the first Poirot since 1942, and Christie had written five books in between. I wonder if the publisher put pressure on her to include Poirot in this one… You also get the POV from more characters than usual. I have never read any of Christie's Mary Westmacott novels, but I’ve read that The Hollow is more like them in writing style.

( Read more... )

scripsi

What I finished reading in June was the first four books in the YA Lockwood & Co series by Jonathan Stroud, The Screaming Staircase, The Whispering Skull, The Creeping Shadow and The Hollow Boy. Husband wanted to rewatch the Netflix show, and as I hadn’t seen it, I joined in. I liked it, and as it ended after one season, which covered book 1 and 2, I promptly started to read the books.

The concept is that the UK is suffering from a spreading ghost infection, and as being touched by a ghost is fatal unless you get medical aid, it’s not a good thing. It doesn't help that only children and teenagers are able to actually see the ghosts. So gifted children work for ghost hunting agencies, which is a pretty nifty device for putting teenagers in the forefront of the action, while still not always being very sensible, because teenagers. The narrator is a girl, Lucy, who starts working for the very small agency Lockwood & Co, and gradually they are getting closer and closer to why this ghost infection has started.

I find the books very enjoyable. Lucy is a pretty engaging narrator, if not always a stellar character. But my favourite character is Skull, a ghost trapped in a jar that only Lucy can talk to.

I also actually counted the books I’m in various stages of reading… Yikes! I think I should focus on finishing some of them this month. Here they are, in no particular order.

The Empty Grave by Jonathan Stroud

Det ockulta sekelskiftet (The Occult Turn of the Century) by Per Faxneld. How occultism influenced a number of Swedish artists in the late 19/early 20th century.

Never Flinch and Fairy Tale by Stephen King

The Secret Garden by Frances Hodgson Burnett. (A re-read.)

A Better Man by Louise Penney

Furstinnan (The Princess) by Eva Mattson. A biography over the 16th century Swedish queen Catherine Jagiellon.

Curious Tides by Pascale Lacelle

The Amazing Mrs. Pollifax by Dorothy Gilman

Towards Zero by Agatha Christie

I Never Promised You A Rose Garden by Joanne Greenberg

The Treasure by Selma Lagerlöf

This Wretched Valley by Jenny Kiefer

Midnight Rooms by Donyae Coles

scripsi

Tunnel of Love

Journaling: The romance of summer! What do you love? Write about anything you feel sentimental about or that gets your heart pumping.

Creative: Write a love poem to anyone or anything you like

I love the light. Living in Sweden, summer means white nights, and there is something special walking outside at night, with the stillness and the scents, but no darkness. I love soft summer rains, like today, when the air smells wonderful, and the sounds of raindrops on the roof makes me feel sleepy and content. I love spending time in the summer house in the archipelagio outside Stockholm, in the house my grandfather built, and my grandmother filled with art. Now my mother is adding her own. There is no better place in the world for me to be.

I’m not poetry minded, so no poem.

scripsi

Journaling Prompt: Light up your journal with activity this month. Talk about your goals for July or for the second half of 2025.

Creative Prompt: Shine a light on your own creativity. Create anything you want (an image, an icon, a story, a poem, or a craft) and share it with your community.. Post your answer to today’s challenge in your own space and leave a comment in this post saying you did it. Include a link to your post if you feel comfortable doing so.

Journaling: I will try to actually write the posts about the Agatha Christie books I’m currently rereading. As well as continue talking about books that have special meanings for me.

I have lots of things to sew. Currently a Regency petticoat, and after that a Regency ball gown for a ball at the end of August. I’m also working on a Liberty of London aesthetic dress. I also need to change a couple of everyday clothes that don't fit me anymore.

Creativity: I’m still trying my way in making paper flowers. Here, have a tulip.

glinda

June’s album is Last Summer Effect by Last Summer Effect. This album feels a bit like a cheat, but it is an album that came out last month, and I did have it on heavy rotation for the rest of the month because I liked it. The reason it feels like a cheat is that one of our freelancer’s at work is a sound engineer and worked on it, and the reason I even heard this album is that he dropped the Spotify link in our team group chat the day it came out with a plea to share it about/give it a listen. (By his own admittance they were the band he was in at eighteen, so he might even be playing on it too.) So I stuck it on in the background while making brunch after a night in the pub, to do a colleague a solid on the stats front and ended up really liking the vibe.

It’s kinda…It’s kind of an emo album I think. A bit Hundred Reasons I think, all crunchy guitars and soulful emoting singing. It’s not really my taste in music any more, but twenty years ago it would have been absolutely my jam and I’d have loved this album. (This album came out last month, but the only reason it couldn’t have come out twenty years ago is that the band would have barely been in double digits at that point, but my point stands, it should have come out on Chemical Underground some time between 2005 and 2009 - which is not far off given that the band were officially together between 2010 and 2013!) It feels like stumbling across an album released by a tiny band I saw at a gig when I was twenty, that I saw twice, followed on MySpace and bought a hand-burned EP off the band at the back of the gig. If one of those bands had miraculously got hold of some decent production values, the harmonies and production are pretty lush - Steve does know what he’s about. It sounds like sunny hungover mornings in friends flats after gigs, or big nights out. (The smell of stale sweat, flat beer and other people’s dead cigarettes hanging in the air.) I’m really not sure if there’s actually a market for this that isn’t millennial nostalgia, I probably wouldn’t have listened to it if they weren’t friends of friends, but that could go for a great number of bands I listened to from that actual period of time too. I keep putting it on to listen to while I do other things so nostalgia or not, so clearly present day me rather likes it too.